As we celebrate the winter holiday season in the Pacific Northwest, I constantly have opportunities to practice gratitude. Despite ongoing yarn and shipping supply challenges, I am finally able to offer a limited selection of knitting kits again! Our local yarn stores are open and doing well. I have begun to plan knitting classes, workshops, and in-person sales venues for the first time in two years. Knitting has kept so many of us sane during these ongoing months of uncertainty.
I have been working to introduce Peace Fleece to my products. This wonderful yarn is made with wool and mohair produced by indigenous Navajo ranchers, and the vibrant colors work perfectly with my cabled Aran designs. Sadly, the Pennsylvania dye-house that for many years created these beautiful colors was badly damaged in the storms from Hurricane Ida and was forced to close permanently. Peace Fleece availability will continue to be limited while its' producer searches for a new dyer.
I create historical reproductions of 18th- and 19th-century fishermen's sweaters, faithful copies of family heirloom sweaters, original patterns and knitting kits, and resources for learning the art of gansey and Aran knitting. I just published a new original Aran sweater pattern featuring Celtic-inspired motifs - visit my Store page for your copy!
This is an authentic cottage industry, a home-based small-scale manufacturing business drawing on skills handed down for generations. "Beannaigh" is an Irish word (pronounced BAN-nah), meaning to bless, to honor, or to salute. Handknitting was originally a way for poor women and girls to earn the only extra cash they would see for the year; one elderly woman from the Yorkshire Dales said that as a child, doing some extra knitting "kept the wolf from the door". Another from Ireland referred to her knitting needles as the "four crowbars of poverty".
These are powerful stories for me. When they weren't gutting and packing fish, hauling loads of peat for the fire, and growing their only food themselves, these women knitted. They spent endless hours of winter darkness working by the light of a single candle, if they could afford one, or huddled close to the fire if they couldn't. In spite of their hardships, they created incredibly beautiful patterns and designs that in some cases have remained popular for more than 200 years.
I preserve and pass along the stories of these women with my sweaters, knitting patterns, and classes. The village fishing life of the British Isles has largely disappeared in favor of tourism and larger industries, and their traditional handcrafts have become mere hobby. Thanks to a few dedicated researchers many centuries-old sweater patterns have been recorded, along with the stories of the fishing villages in which they originated and the women who knitted them. Books by Michael Pearson, Mary Wright, Gladys Thompson, and others are still in print and can be found at local bookstores and libraries - take a look at them to learn more!
I have been working to introduce Peace Fleece to my products. This wonderful yarn is made with wool and mohair produced by indigenous Navajo ranchers, and the vibrant colors work perfectly with my cabled Aran designs. Sadly, the Pennsylvania dye-house that for many years created these beautiful colors was badly damaged in the storms from Hurricane Ida and was forced to close permanently. Peace Fleece availability will continue to be limited while its' producer searches for a new dyer.
I create historical reproductions of 18th- and 19th-century fishermen's sweaters, faithful copies of family heirloom sweaters, original patterns and knitting kits, and resources for learning the art of gansey and Aran knitting. I just published a new original Aran sweater pattern featuring Celtic-inspired motifs - visit my Store page for your copy!
This is an authentic cottage industry, a home-based small-scale manufacturing business drawing on skills handed down for generations. "Beannaigh" is an Irish word (pronounced BAN-nah), meaning to bless, to honor, or to salute. Handknitting was originally a way for poor women and girls to earn the only extra cash they would see for the year; one elderly woman from the Yorkshire Dales said that as a child, doing some extra knitting "kept the wolf from the door". Another from Ireland referred to her knitting needles as the "four crowbars of poverty".
These are powerful stories for me. When they weren't gutting and packing fish, hauling loads of peat for the fire, and growing their only food themselves, these women knitted. They spent endless hours of winter darkness working by the light of a single candle, if they could afford one, or huddled close to the fire if they couldn't. In spite of their hardships, they created incredibly beautiful patterns and designs that in some cases have remained popular for more than 200 years.
I preserve and pass along the stories of these women with my sweaters, knitting patterns, and classes. The village fishing life of the British Isles has largely disappeared in favor of tourism and larger industries, and their traditional handcrafts have become mere hobby. Thanks to a few dedicated researchers many centuries-old sweater patterns have been recorded, along with the stories of the fishing villages in which they originated and the women who knitted them. Books by Michael Pearson, Mary Wright, Gladys Thompson, and others are still in print and can be found at local bookstores and libraries - take a look at them to learn more!